DISASTER BOY AND THE
NIGHTMARE FIGHTER
Andy
walked in the sun along the shops of Frenchmen Street in the Faubourg
Marigny. Most of them had no
activity. Some were still boarded
up.
Nick
was sitting in the shade of a balcony at a table with coffee in one hand, cell
phone in the other. Black
sunglasses. His pony tail, gone.
ÒWhereÕs
Jesus? You look like a Hollywood
producer.Ó Andy said. Andy sat
down.
ÒLeft
him on the west side, Chelsea, baby. Raphael said he could make a new me, bigger
and better.Ó Nick said.
ÒNot
bad. I want to star in The Katrina
Story.Ó
Nick
pulled a small chrome camera out of a leather bag on his hip.
ÒI
am a producer. Mind if I take your picture for my web
site.Ó He aimed and shot before
Andy replied.
ÒYou
got a web site?Ó
ÒYeah,
baby. IÕm doing a little
chronicling. IÕm going to have one
with just my stuff and another with anyone else who wants. You can put anything you want on it. You must have shit loads since you
stayed.Ó
ÒI
took a lot of shots. But I fried
the power source to my laptop charging on a generator. It was done half way through the whole
thing. CouldnÕt download anymore,
empty the memory. I tried to get this photographer chick
from Dallas to trade a memory card for my name. She was around shooting the holdouts off and on for
weeks. She wouldnÕt do it,
though.Ó Andy said. ÒHell, I got
sick of shooting, anyway.Ó
ÒDid
you give her your name?Ó asked Nick.
ÒFuck
no.Ó Andy said. ÒShe was hot as
hell, too. Asian.Ó He thumbed towards the intersection of
Chartres and Frenchmen streets.
Clubs, bars and restaurants.
ÒNothing but a bunch of dogs drooling at that one. Kenny and Javier had a little war over
that shit.Ó
ÒWhat
kind of war?Ó
ÒNot
sharing supplies with the other.
Talking about each other wanting to fuck her as if they themselves
didnÕt or there was something wrong with anyone but themselves wanting to and
trying to.Ó
ÒThey
cracked!Ó said Nick.
ÒYeup.Ó
said Andy. ÒTell me about New
York. Did you see many other
evacuees?Ó
ÒAll
over. Everywhere you went. Especially the East Village. Williamsburg. Greenpoint. Those are my main hangs. IÕve got a place to stay in each. Me, Paul Grass, Lisa, your ex, Donna. We had a whole crew of us stomping
around at times looking for that New Orleans priced beer. We found this one joint on Ninth and Ave.
A, walked in and bartenders from the Abbey working behind the bar. $2.00
draughts. We drank all
night. The tab wasnÕt more than
$10. The New Yorkers are in coddle
mode.Ó
ÒYou
saw Donna?Ó said Andy.
ÒI
saw her a couple of times. All
kinds of people stomping around up there, baby. When you gonna come up there?Ó
ÒI
wish I wouldÕve gone up there but if I had IÕld wind up like the rest of you
mother fuckers, broker than before all this happened. IÕm making money on this deal.Ó
ÒIÕm
not spending as much as you might think.
New Yorkers are in coddle mode.
Besides staying with my cousin the other flops are with chicks I met. I tell them IÕm from New Orleans and I
become Disaster Boy. And that
happens everywhere besides what the different agencies provide. Not just me, I donÕt know anybody
really paying for their own housing.
I take that back, not at that market rate.Ó
Nick
started clicking buttons on his camera.
He watched the rear view screen.
ÒHere,
take a look at this.Ó And he
handed the camera to Andy. Andy
saw an attractive girl with long blonde hair.
ÒThatÕs
Greenpoint.Ó Nick said.
Andy
scrolled through. Different shots
of N.Y. by day and N.Y. by night.
City scapes from the street, from the Brooklyn Bridge. Dark shots in bars of people he knew
and didnÕt know. Lots of girls. Several shots contained Donna, all from
the same bar, the same night.
Shots of her in groups. A
couple of her alone. She was
obviously drunk. She stood with her
shoulders back and hips thrust to one side. Her large breasts were striking.
Andy
continued to scroll but now at a much faster pace but there were no more photos
of Donna. After about twenty shots
or so the subject changed from New York to a brick house on a slab with mud
where the grass should have been and a large hole in the roof. Several sediment lines started just
below the gutter and traveled incrementally down, the darkest about chest high. Wider angled shots revealed surrounding houses and fallen
trees all on the same mud brown landscape, some houses leaning off their
foundations, others moved into their yards. The brick house had an orange X with a 0 underneath.
Andy
slowed and dwelled on these photos.
The tension that had built over the last few moments had now relaxed. It was now actually being replaced with
a sense of pleasure.
Andy
noticed this shift and worked on squelching it. He knew Nick was strong but still sad.
ÒOne
block from the breach.Ó Nick said.
ÒIÕve
got plenty shots of mine.Ó Andy said.
Suddenly
Nick got up. ÒGot to go pick up
little Nick. ItÕs time.Ó
ÒSo,
what about that?Ó Andy said.
ÒI
told her I couldnÕt stop her from moving to Georgia. TheyÕre just back to see what they can salvage from her
house. She wasnÕt hit nearly as
bad as us. She didnÕt even get
wet. Just rain from Rita because
her roof was damaged.Ó
ÒWell,
maybe coffee tomorrow.Ó said Andy.
ÒO.K.
See you then.Ó
Andy
watched Nick walk down Frenchmen street towards the park. Nick had lost weight. Black t-shirt, blue jeans, black shoes,
black sunglasses. New
haircut. He looked good. Healthier than before. Looked like a New Yorker.
The
park was empty. No children. The trees were trimmed and fallen limbs
and debris were all cleaned by relief crews. But there were no children. It had been a favorite play spot
for DonnaÕs five year old son Sebastian.
Andy often took him to play with the other children. Sebastian was a lot of fun to talk
with. Now he was with his father
in Florida.
ÒWhat
do you want to be when you grow up, Sebastian?Ó
ÒI
want to be a nightmare fighter!Ó Sebastian would say and he would jump into a
kung fu like pose and throw a few punches and an occasional kick. ÒI defeat the nightmare with weapons.Ó
ÒWhat
kind of weapons do you have?Ó
ÒA
whapper. It always comes back to
me.Ó
ÒWhat
do the nightmares look like?Ó
ÒWell,
theyÕre bigger than people, but not as big as a house. And their legs are short and their arms
are short.Ó
ÒWhat
do they do to you when you fight them?Ó
ÒThey
stomp on my head.Ó
ÒWhat
happens when they defeat you?Ó
ÒYou
stay there where you are defeated.Ó
ÒYou
just stay there? For how long?Ó
ÒYou
just stay there. Until you get
up.Ó
ÒYou
mean you lay there, where you were defeated?Ó
ÒYeah,
you lay there, until you get up.Ó