DISASTER BOY AND THE NIGHTMARE FIGHTER

 

 

 

Andy walked in the sun along the shops of Frenchmen Street in the Faubourg Marigny.  Most of them had no activity.  Some were still boarded up.

Nick was sitting in the shade of a balcony at a table with coffee in one hand, cell phone in the other.  Black sunglasses.  His pony tail, gone. 

ÒWhereÕs Jesus?  You look like a Hollywood producer.Ó Andy said.  Andy sat down.

ÒLeft him on the west side, Chelsea, baby. Raphael said he could make a new me, bigger and better.Ó  Nick said.

ÒNot bad.  I want to star in The Katrina Story.Ó

Nick pulled a small chrome camera out of a leather bag on his hip.

ÒI am a producer.  Mind if I take your picture for my web site.Ó  He aimed and shot before Andy replied.

ÒYou got a web site?Ó

ÒYeah, baby.  IÕm doing a little chronicling.  IÕm going to have one with just my stuff and another with anyone else who wants.  You can put anything you want on it.  You must have shit loads since you stayed.Ó

ÒI took a lot of shots.  But I fried the power source to my laptop charging on a generator.  It was done half way through the whole thing.  CouldnÕt download anymore, empty  the memory.  I tried to get this photographer chick from Dallas to trade a memory card for my name.  She was around shooting the holdouts off and on for weeks.  She wouldnÕt do it, though.Ó Andy said.  ÒHell, I got sick of shooting, anyway.Ó

ÒDid you give her your name?Ó asked Nick.

ÒFuck no.Ó Andy said.  ÒShe was hot as hell, too.  Asian.Ó  He thumbed towards the intersection of Chartres and Frenchmen streets.  Clubs, bars and restaurants.  ÒNothing but a bunch of dogs drooling at that one.  Kenny and Javier had a little war over that shit.Ó

ÒWhat kind of war?Ó

ÒNot sharing supplies with the other.  Talking about each other wanting to fuck her as if they themselves didnÕt or there was something wrong with anyone but themselves wanting to and trying to.Ó

ÒThey cracked!Ó said Nick.

ÒYeup.Ó said Andy.  ÒTell me about New York.  Did you see many other evacuees?Ó

ÒAll over.  Everywhere you went.  Especially the East Village.  Williamsburg. Greenpoint.  Those are my main hangs.  IÕve got a place to stay in each.  Me, Paul Grass, Lisa, your ex, Donna.  We had a whole crew of us stomping around at times looking for that New Orleans priced beer.  We found this one joint on Ninth and Ave. A, walked in and bartenders from the Abbey working behind the bar. $2.00 draughts.   We drank all night.  The tab wasnÕt more than $10.  The New Yorkers are in coddle mode.Ó     

ÒYou saw Donna?Ó said Andy.

ÒI saw her a couple of times.  All kinds of people stomping around up there, baby.  When you gonna come up there?Ó

ÒI wish I wouldÕve gone up there but if I had IÕld wind up like the rest of you mother fuckers, broker than before all this happened.  IÕm making money on this deal.Ó

ÒIÕm not spending as much as you might think.  New Yorkers are in coddle mode.  Besides staying with my cousin the other flops are with chicks I met.  I tell them IÕm from New Orleans and I become Disaster Boy.  And that happens everywhere besides what the different agencies provide.  Not just me, I donÕt know anybody really paying for their own housing.  I take that back, not at that market rate.Ó

Nick started clicking buttons on his camera.  He watched the rear view screen. 

ÒHere, take a look at this.Ó  And he handed the camera to Andy.  Andy saw an attractive girl with long blonde hair.

ÒThatÕs Greenpoint.Ó Nick said.

Andy scrolled through.  Different shots of N.Y. by day and N.Y. by night.  City scapes from the street, from the Brooklyn Bridge.  Dark shots in bars of people he knew and didnÕt know.  Lots of girls.  Several shots contained Donna, all from the same bar, the same night.  Shots of her in groups.  A couple of her alone.  She was obviously drunk.  She stood with her shoulders back and hips thrust to one side.  Her large breasts were striking.

Andy continued to scroll but now at a much faster pace but there were no more photos of Donna.  After about twenty shots or so the subject changed from New York to a brick house on a slab with mud where the grass should have been and a large hole in the roof.  Several sediment lines started just below the gutter and traveled incrementally down, the darkest about chest high.  Wider angled shots  revealed surrounding houses and fallen trees all on the same mud brown landscape, some houses leaning off their foundations, others moved into their yards.  The brick house had an orange X with a 0 underneath.           

Andy slowed and dwelled on these photos.  The tension that had built over the last few moments had now relaxed.  It was now actually being replaced with a sense of pleasure.

Andy noticed this shift and worked on squelching it.  He knew Nick was strong but still sad.

ÒOne block from the breach.Ó Nick said. 

ÒIÕve got plenty shots of mine.Ó Andy said.

Suddenly Nick got up.  ÒGot to go pick up little Nick.  ItÕs time.Ó

ÒSo, what about that?Ó Andy said.

ÒI told her I couldnÕt stop her from moving to Georgia.  TheyÕre just back to see what they can salvage from her house.  She wasnÕt hit nearly as bad as us.  She didnÕt even get wet.  Just rain from Rita because her roof was damaged.Ó 

ÒWell, maybe coffee tomorrow.Ó said Andy.

ÒO.K. See you then.Ó

Andy watched Nick walk down Frenchmen street towards the park.  Nick had lost weight.  Black t-shirt, blue jeans, black shoes, black sunglasses.  New haircut.  He looked good.  Healthier than before.  Looked like a New Yorker.

 

The park was empty.  No children.  The trees were trimmed and fallen limbs and debris were all cleaned by relief crews.  But there were no children. It had been a favorite play spot for DonnaÕs five year old son Sebastian.  Andy often took him to play with the other children.  Sebastian was a lot of fun to talk with.  Now he was with his father in Florida.

 

ÒWhat do you want to be when you grow up, Sebastian?Ó

ÒI want to be a nightmare fighter!Ó Sebastian would say and he would jump into a kung fu like pose and throw a few punches and an occasional kick.  ÒI defeat the nightmare with weapons.Ó

ÒWhat kind of weapons do you have?Ó

ÒA whapper.  It always comes back to me.Ó

ÒWhat do the nightmares look like?Ó

ÒWell, theyÕre bigger than people, but not as big as a house.  And their legs are short and their arms are short.Ó

ÒWhat do they do to you when you fight them?Ó

ÒThey stomp on my head.Ó

ÒWhat happens when they defeat you?Ó

ÒYou stay there where you are defeated.Ó

ÒYou just stay there?  For how long?Ó

ÒYou just stay there.  Until you get up.Ó

ÒYou mean you lay there, where you were defeated?Ó

ÒYeah, you lay there, until you get up.Ó